A custom built Makin organ with 50 stops using the top of the range multi-sample technology. Typically this instrument would have as a minimum 14.2 channels of amplification and 16 speaker cabinets containing 44 individual speaker drivers.
Custom 3-50D
Typical details of a Custom 3-50D include:
Wood based keyboards
Complete choice of specification and samples used
Realtime Live MultiSamples
Dark or Light Oak polished finish
AGO?32 note pedalboard
50?Stops
14.2 Amplifiers
Requires external speakers
12?Temperaments
12 Reverb programmes
Transposition
Pitch control
Stereo 3D Acoustics
C-C# wind chest layout
Physiological Swell pedals
pipeLIFE Tuning
Dynamic Chiff
Easy Menu
Programmable touch
256?Long Term piston memories
8?Pedal pistons
8 Choir pistons
8?Great pistons
8?Swell pistons
8 General pistons
Controls for manual bass, chorus
Connections for MIDI, Headphones, Reverb, Aux in & out
Dimensions:
Height (excluding music rack) 52″ (133cm)
Width 65″ (165cm)
Depth 29″ (75cm)
Depth (including pedalboard) 48″ (121cm)
| Name | Custom 3-50D |
| Manufacturer | Makin Organs |
| No. of Manuals | 3 |
| No. of Stops | 50 |
| Console Type | Motorised DrawStop |
| Installation Type | Church, Crematoria, Home, School, Other |
An example of a bespoke specification:
| Pedal | |
| Sub Bourdon | 32′ |
| Open Diapason | 16′ |
| Violone | 16′ |
| Bourdon | 16′ |
| Lieblich Bourdon (Sw) | 16′ |
| Principal | 8′ |
| Bass Flute | 8′ |
| Choral Bass | 4′ |
| Contra Trombone | 32′ |
| Trombone | 16′ |
| Trumpet | 8′ |
| Schalmei | 4′ |
| Choir to Pedal | |
| Great to Pedal | |
| Swell to Pedal | |
| Great & Pedal Combinations Coupled | |
| General on Swell Toe Pistons | |
| Choir (enclosed) | |
| Stopped Diapason | 8′ |
| Viol d Orchestra | 8′ |
| Viole Celeste | 8′ |
| Suabe Flute | 4′ |
| Nazard | 2 2/3′ |
| Block Flute | 2′ |
| Tierce | 1 3/5′ |
| Larigot | 1 1/3′ |
| Sifflet | 1′ |
| Corno di Bassetto | 8′ |
| Tremulant | |
| Tuba | 8′ |
| Sub Octave | |
| Unison Off | |
| Octave | |
| Swell to Choir | |
| Great | |
| Bourdon | 16′ |
| Open Diapason I | 8′ |
| Open Diapason II | 8′ |
| Hohl Flute | 8′ |
| Gamba | 8′ |
| Principal | 4′ |
| Harmonic Flute | 4′ |
| Twelfth | 2 2/3′ |
| Fifteenth | 2′ |
| Mixture (19.22.26.29) | IV |
| Sharp Mixture (26.29.33) | III |
| Contra Posaune | 16′ |
| Trumpet | 8′ |
| Clarion | 4′ |
| Choir to Great | |
| Swell to Great | |
| Swell (enclosed) | |
| Lieblich Bourdon | 16′ |
| Geigen Diapason | 8′ |
| Lieblich Gedackt | 8′ |
| Salicional | 8′ |
| Voix Celeste | 8′ |
| Gemshorn | 4′ |
| Fifteenth | 2′ |
| Mixture (15.19.22) | III |
| Oboe | 8′ |
| Tremulant | |
| Contra Fagotto | 16′ |
| Cornopean | 8′ |
| Clarion | 4′ |
| Sub Octave | |
| Unison Off | |
| Octave | |